Edward Henry Corbould,RI,RWS
1815-1905 Painter, illustrator and sculptor, son of (2) Henry Corbould. A pupil of Henry Sass (1788-1844) and a student at the Royal Academy, he showed more wide-ranging interests than his father or uncle. He worked in watercolour and briefly in sculpture, winning gold medals for both from the Society of Arts (Fall of Phaeton, watercolour, 1834; St George and the Dragon, sculpture, exh. RA 1835; both untraced). He designed monumental figures for an unexecuted London County Council sculpture project for Blackfriars Bridge (1889), but he concentrated primarily on watercolours of literary and historical subjects, which he exhibited with the New Water-Colour Society from 1837 until 1898.

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Edward Henry Corbould,RI,RWS Saul and the Witch of Endor (mk46) oil painting


Saul and the Witch of Endor (mk46)
1860 Watercolour and bodycolour 66x78.7cm Property of Sutton Place Foundation
Painting ID::  25971
Edward Henry Corbould,RI,RWS
Saul and the Witch of Endor (mk46)
1860 Watercolour and bodycolour 66x78.7cm Property of Sutton Place Foundation
   
   
     

Edward Henry Corbould,RI,RWS At Egliton, lord of t he Tournament oil painting


At Egliton, lord of t he Tournament
mk178 1840 oils on wood 75x64cm
Painting ID::  45814
Edward Henry Corbould,RI,RWS
At Egliton, lord of t he Tournament
mk178 1840 oils on wood 75x64cm
   
   
     

Edward Henry Corbould,RI,RWS Accommodation oil painting


Accommodation
Oil on canvas, 16 x 30-5/8 in Date 1867(1867) cyf
Painting ID::  79519
Edward Henry Corbould,RI,RWS
Accommodation
Oil on canvas, 16 x 30-5/8 in Date 1867(1867) cyf
   
   
     

Edward Henry Corbould,RI,RWS Can They Go Too oil painting


Can They Go Too
1877(1877) Medium Oil on board Dimensions 6 x 4-5/16 in cyf
Painting ID::  84065
Edward Henry Corbould,RI,RWS
Can They Go Too
1877(1877) Medium Oil on board Dimensions 6 x 4-5/16 in cyf
   
   
     

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     Edward Henry Corbould,RI,RWS
     1815-1905 Painter, illustrator and sculptor, son of (2) Henry Corbould. A pupil of Henry Sass (1788-1844) and a student at the Royal Academy, he showed more wide-ranging interests than his father or uncle. He worked in watercolour and briefly in sculpture, winning gold medals for both from the Society of Arts (Fall of Phaeton, watercolour, 1834; St George and the Dragon, sculpture, exh. RA 1835; both untraced). He designed monumental figures for an unexecuted London County Council sculpture project for Blackfriars Bridge (1889), but he concentrated primarily on watercolours of literary and historical subjects, which he exhibited with the New Water-Colour Society from 1837 until 1898.

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